Category: Bez kategorii

Sony PVM-X2400 24-inch 4K

Sony PVM-X2400 24-inch 4K HDR high grade picture monitor incorporates the Sony specified premium LCD panel and offers 1000 cd/m2 luminance and color matching with 4K HDR master monitor BVM-HX310, making group monitoring easy in onset, Studio and OB van’s wall and 19” EIA racks, Editing, Mixing audio, etc.

TRIMASTER realized Accurate colour reproduction, Precise imaging and Quality Picture Consistency

TRIMASTER is a design architecture for accurate picture reproduction, precise imaging and Quality picture consistency.
There are many advantages in the panel control and signal processing system such as fast processing, accurate linearizing of an input signal with Optical Electrical Transfer Function, accurate color reproduction, etc.

Sony PVM-X2400 24-inch 4K Dynamic Contrast Drive and Black Detail High/Mid/Low

Dynamic contrast drive is a new backlight driving system that dynamically changes backlight luminance to adapt for a scene of a frame. You can conveniently check a total balance of highlights and low lights at a glance. This monitor can dynamically perform 1,000,000:1 contrast ratio by this drive.

From 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI

The PVM-X2400 can accept 12G-SDI from the latest device and it can input quad-link 3G-SDI and a single HD-SDI for a traditional device. This input utility is HDMI supports from 640×480/60P PC signal to 4096 x 2160/60P 4:2:2 YCBCR 12bit.

Sony PVM-X2400 24-inch 4K Various scopes

Both waveform monitor and vector scope can simultaneously be displayed with scales for both HDR and SDR. You can conveniently check both input signal level and output luminance by the HDR scales of the WFM. The waveform has three different displays of either Luminance, RGB/YCBCR parade or RGB/YCBCR overlay with the Gamut error display. The waveform of a specified line can also be displayed.

Unique quad view display with User 3D LUT

The PVM-X2400 provides a quad view display, with individual settings of EOTF (SDR/HDR), color space, transfer matrix, color temperature, contrast, brightness, SDI/HDMI, RGB/YCBCR, as well as User 3D LUTs for each display view

Sony PVM-X2400 24-inch 4K New User Interface and Channel select button

OSD is largely changed and operating this monitor is quicker and more intuitive. Design of the menu allow you to review the settings and change some settings very quickly. The Channel select button protects an operator from inadvertent setting errors.

Handy features for field operation

DC 24V operation allows you to operate it outfield regardless of 24” large screen and 1000 cd/m2 very high luminance. The optional protection panel* protects the premium LCD screen from inadvertent shocks. User 3D LUTs and Yoke-mount are also supported. Dynamic Contrast Drive is very useful for night-scene shooting.

* Optional protection panel cannot be used with the monitor in operation for protecting the screen from heat of backlights.

Various mount capability

Regardless of 24inch large screen size, the PVM-X2400 can be installed to 19inch EIA standard rack for studio and OB van uses. Yoke-mount and VESA mount are also convenient for installing it to a C stand for field use and a Desktop arm for editing.

Powerful stereo sound with audio muting

The PVM-X2400 incorporates Stereo speakers(2W+2W) with audio muting.

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Sigma Cine 50-100mm T2

Sigma Cine 50-100mm T2 High-Speed Zoom Lens (Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors.

It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

Sigma Cine 50-100mm T2 the 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4″-20 support foot that helps support the lens with the aid of a 1/4″-20 rod-mounted lens support (not included).

Sigma Cine 50-100mm T2 Color Balance

All the lenses in the lineup are designed to comply with SIGMA’s CCI standard simplifying when intercutting between lenses.

Dust-Proof and Splash-Proof Design

Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering.

All Metal Body Construction

The lens body is made completely of metal to stand up to the rigors of the production day.

Sigma Cine 50-100mm T2 Lens Markings

The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.

Lens Front

The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.

Lens Gears

All three lens gears are standard 0.8 MOD and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.

Support Foot

The lens includes a removable support foot.

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Sony bodypack transmitter

Sony bodypack transmitter DWX Series for the digital wireless microphone. It is a third generation of Sony’s acclaimed DWX series, this high performance digital wireless bodypack transmitter is an ideal choice for live sound applications including theatre and concerts, as well as studio based TV production and ENG/EFP.

Sony bodypack transmitter is light and compact (27% smaller than its DWT-B01N predecessor), the DWT-B03R features a tough magnesium body that’s resistant to rain, spray and sweat.

Sony’s advanced digital audio processing, encryption and RF transmission technologies assure secure, stable transmission and reception of very high quality audio with low latency.

The DWT-B03R is ideal for use in large-scale multi-channel productions, supporting up to 21 simultaneous channels per 8MHz TV band or up to 16 simultaneous channels per 6MHz TV band.

Sony bodypack transmitter is compatible with Sony Wireless Studio control software for PC (Ver 5.0 or later) , allowing flexible remote operation. Remote control of up to 82 transmitters is possible using the Cross Remote™ function combined with the RMU-01 remote control unit (available separately).

Sony bodypack transmitter: Small and lightweight

27% smaller than its DWT-B01N predecessor

Very high quality wireless audio

Advanced Sony codec design assures superb audio quality, with a high dynamic range of more than 106 dB, plus a wide frequency response of 20 Hz – 22 kHz and excellent transient response.

Low-latency audio

Advanced Sony codec design reduces audio latency to as little as 1.2msec*

*DWT-B03R and DWR-R03D total delay with codec mode2 and analog output

Rain, sweat and spray proof

Ideal for musical, film production or outdoor operation, the DWT-B03R features a tough magnesium body with a moisture-resistant housing gasket and splash-proof connector that resists rain, sweat and spray.

Sony bodypack transmitter: long battery life

Perform for longer with the high-capacity rechargeable NP-BX1 Li-ion battery (approx. 7 hours). The DWT-B03R is compatible with the optional BC-DWX1 Dual Charger.

Sony bodypack transmitter and 148MHz* wideband

Contributes to the reduction of equipment and burden of maintenance.
*depends on version

High density multi-channel operation

Ideal for large-scale productions, the DWT-B03R supports high-density simultaneous multi-channel operation: 375kHz spacing accommodates up to 21 channels per 8MHz TV band or up to 16 simultaneous channels per 6MHz TV band.

Sony bodypack transmitter and AES 256bit encryption

For secure encrypted transmission

Easy, versatile remote control

The DWT-B03R is compatible with Sony’s Wireless Studio control software for PC (Version 5.0 or later). Up to 82 transmitters can be controlled using the Cross Remote™ function and RMU-01 remote control unit (available separately).

Selectable RF output power

RF output power level is selectable (2mW/10mW/25mW) to prioritise stable multi-channel or long distance operation.

Sony bodypack transmitter and OLED display

The easy-to-read OLED display gives confirmation of channel number, RF signal status, user name, user group and lock status.

Phase reverse mode

It can change the audio phase by the menu.

Sony bodypack transmitter and user setting memory

Settings can be easily stored to the memory of DWT-B03R.

Setting lock

Transmitter settings can be locked to prevent accidental operation during performance.

Transmitter/receiver identifying function

Paired transmitters/receivers are identified by blinking display.

Small 3-pin connector with lock

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Manfrotto Advanced2 backpack

Manfrotto Advanced2 backpack is extremely versatile 3-in-1 camera bag: backpack, shoulder bag and handle bag.

Manfrotto Advanced2 backpack is your perfect carry-on travel companion for urban photography. It is all in one top-handle bag, shoulder bag and backpack. Flexibility is no longer an issue and all needs are catered for. Simply attach or remove the shoulder strap to get the carrying solution needed. Unzip the back to access the backpack’s shoulder straps and you are ready for action.

Manfrotto Advanced2 backpack is designed for both DSLRs and CSCs and your laptop. It is design with dedicated storage for personal stuff and photo gear in the main compartment with quick access. Its interior can hold a DSLR or mirrorless camera with up to 2 medium sized lenses. There is plenty of space for your personal belongings too, including a separated laptop compartment which can hold a 14” laptop.

Manfrotto Advanced2 backpack is also extremely versatile, and after removing the internal camera pouch, it becomes a travel daypack or daybag in an instant. You can carry your small tripod such as Befree Advanced series with the strong side strap. The padded shoulder straps along provide maximum carrying comfort and weight distribution. All external fabric is treated making it water repellent and a rain cover is also supplied just in case of adverse weather conditions.


Manfrotto Advanced2 backpack: Cabin Luggage

This bag fits the standard to fit as carry-on luggage (due to ever changing restrictions, check with your carrier prior to departure)

External Tripod Connections

This bag comes with the option and proper connections to attach your tripod externally.

Interchangeable Dividers

Both modular and easy to use, these dividers allow you to custom fit the inside of your bag around your gear by creating the exact size compartment for your gear..

Laptop Compatible

Protect your laptop during transport in the compartment. (See bag for exact sizes)

Manfrotto Advanced2 backpack: Rain Protector

Included fold out protector which when installed creates a barrier between the wet outside and dry inside of your bag.

Tablet Compartment

Dedicated compartment for tablet

Trolley Connection

For easy wheel along transportation simply slide the designated strap connector over any standard trolley or luggage handle.

Manfrotto Advanced2 backpack: Water Repellant

A specially applied coating to the fabric which keeps resistant to moisture


Manfrotto Advanced2 backpack Specifications

Weight: 1.2 kg

Internal Dimensions: 27 x 15 x 42 cm

Camera Insert Dimensions: 25.5 x 14 x 19 cm

External Dimensions: 28 x 19 x 43 cm


Manfrotto Advanced2 backpack Compatible CSC camera models

Canon EOS M3, Canon EOS M5, Canon EOS M6, Fujifilm X-Pro2, Fujifilm X-T1, Fujifilm X-T1 IR, Fujifilm X-T10, Fujifilm X-T2, Fujifilm X-T20, Leica TL, Leica TL2, Olympus OM-D E-M1 II, Olympus OM-D E-M10, Olympus OM-D E-M10 II, Olympus OM-D E-M10 III, Olympus OM-D E-M5 II, Olympus PEN-F, Panasonic Lumix DMC-G7, Panasonic Lumix DMC-G85, Panasonic Lumix DMC-GH4, Panasonic Lumix DMC-GH5, Panasonic Lumix DMC-GX8, Sony Alpha 7 II, Sony Alpha 7R II, Sony Alpha 7S, Sony Alpha 7S II, Sony Alpha 9, Sony A7R III

Compatible Drones Models

DJI Mavic Pro, DJI Mavic Pro Platinum, DJI Mavic Air, DJI Mavic 2 Pro, DJI Mavic 2 Zoom

Laptop Compartment Dimensions: 27 x 2.5 x 41 cm

Material: Synthetic Fabric

Number of Lenses: 2

Personal Compartment Dimensions: 27 x 14 x 21 cm

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Media4KConnect extender

Media4KConnect extender over IP in fiber with a range of 300m/984 ft at a resolution up to 4096×2160 @ 60Hz with  perfect color coding at 4:4:4 @8 bit per color. The perfect tuning of kvm-tec video compression with a low latency allows a delay-free transmission of the signals. USB and video is transmitted with only one cable. 4K videos can be transmitted in real time.

With the unique kvm-tec modular system the media4Kconnect Extender with the ultraslim housing is unbeatable in price and performance as well as in the possible fields of application

Media4KConnect extender is available in different versions. As stand alone 4K Extender, with an uncompressed module or with a redundant module.

The Media4KConnect with redundant secure module guarantees failure safety for critical applications.

Media4KConnect extender with uncompressed module enables transmission without artifacts even with difficult bit patterns.

Media4KConnect with USB 2.0

Keep it simple and buy what you need with the unique modular 4K system from kvm-tec, both modules can be upgraded later

The transparent USB 2.0 interface supports tablets and touchscreens, sound modules, printers and much more. Ideal for many applications. For memory sticks and USB hard drives the USB option is included.

The kvm-tec feature „USB save“ prevents the intrusion of viruses via the USB interface by deactivating mass storage devices.

Media4KConnect: 2000 endpoints

With the included switching upgrade up to 2000 endpoints, the media4Kconnect DP 1.2/HDMI Extender can be integrated into a matrix switching system in conjunction with a standard 10G network switch. Switching can be done either via the OSD menu with key combination or directly via the Switching Manager.  The intelligent software kvm-tec Switching Manager enables convenient management and intuitive operation of KVM extenders in the switching system. A Windows PC or Tablet with network interface is required for commissioning and operating the software.

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Monitor 27″ 4K HDR

Monitor 27″ 4K HDR Konvision KUM-2710D supporting various professional broadcasting features such as waveform, vectorscope, false color etc.

Built-in 2x12G-SDI inputs and outputs, 12G/6G/3G/HD/SD-SDI auto detect. DVI input is compatible with HMDI 2.0 signal, 4 split windows support multipl input formats makes KUM-2710D an ideal monitor in 4K workflow production.

3D LUT Color Calibration

Integrated 3D LUT color calibration technology, Konvision most monitors are compatible with Lightspace and Calman. Support various color gamuts like REC709/DCI-P3/EBU/SMPTE-C/REC2020/USER1/USER2, user can import their own lut files into the monitor. Lightspace and Calman for Konvision are competible with popular colorimeters including CA210, CA310, CS200, CR100, CR250, Klein K10A, X-rite i1 Display OEM.

HDR display

Most Konvision Monitor 27″ 4K HDR offer high dynamic range (HDR) display, including PQ(SMPTE St2084), HLG (BT.2100)and S-Log 3. It provides extremely high level of picture quality and image reproduction.

Quad Split Multiple Input Formats

One UHD signal can be transformed into four FHD signals each split window supports multiple input format.

Monitor 27″ 4K HDR: Waveform, Vectors, Histogram

Both SDI1, SDI2 and HDMI support waveform, Vectorscope, Histogram.All above mentioned features manage to be displayed on screen at the same time. Moreover, it features waveform alarm function that over exposure areas will be marked with red color when luminance reaches or exceeds the preset value, shows a more clearly and professional luminance profile.

Monitor 27″ 4K HDR: Highlights

– 3840×2160 4K resolution,10Bit IPS panel

– 12 Bit Video Processing

– 3D LUT Color calibration with LightSpace & CalMAN

– Color space: REC709/DCI-P3/EBU/SMPTE-C/REC2020/USER1/USER2

– User 3D LUT file import

– 2x12G-SDI inputs (12G/6G/3G/HD/SD-SDI auto detect) and 2x 12G-SDI loopout

– 2x 3G-SDI inputs and 2 x 3G-SDI outputs

– 1x DVI input, compatible with HMDI 2.0 signal

– 4K Mode,Quad-Split Mode,FHD single picture mode

– 4K 2 Sample Interleave (2SI)

– High Dynamic Range(HDR) display

– HDR supports PQ,HLG and S-Log 3

– Waveform,Vectorscope

– Picture Flip,Focus Assist

– False Color,Zebra

– Audio Level Meter(16CH for SDI,2CH for HMDI)

– Scan,Markers,Blue Only/Mono Only

– Dynamic UMD(TSL3.1/4.0)

– LED Tally Light

– Remote control: Ethernet/GPI,RS422 In/Out


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Extender Masterline MVX1

Extender Masterline MVX1 – the highly optimized over IP has a range of 150m/492ft at a resolution of 1920×1200@6o Hz and is available in copper as single version.

The perfect tuning of kvm-tec video compression with a low latency time enables a delay-free transmission of the signals. USB and video is transmitted via CAT5e/6/7 cable. Due to the DVI extension without loss of quality Full HD videos can be transmitted in real time.

The transparent USB 2.0 Interface already supports tablets and touch screens, sound modules in the standard version, printers and much more. USB upgrade is available for memory sticks and USB hard drives. High reliability and robust design make the low-cost kvm-tec Extender ideal for many applications.

Extender Masterline MVX1 has feature “USB save”, which prevents the intrusion of viruses via the USB interface by deactivating mass storage devices. With the switching upgrade the MVX1 Extender can be integrated with standard network components to a Matrix Switching System up to 48 endpoints.

  • DVI-I USB 2.0 KVM Extender
  • Resolution 1920×1200@60 Hz
  • Max. Distance 150 m / 492ft in copper
  • Full HD videos in real time
  • USB 2.0 transparent – in house development
  • Only one CAT5e/6/7 cable for USB and video
  • USB save feature
  • srew on DVI connector
  • Can be used in the Matrix Switching System up to 48 endpoints

Kvm-tec upgrades for Extender Masterline MVX1

(pre-installed and unlockable)

  • USB memory
  • Analog VGA – transmitted as DVI
  • Sound analog in both directions in CD quality  
  • Matrix Switching System up to 48 endpoints

KVM-TEC Austrian manufacturer of a wide range of extenders that enable: image, sound and signal transmission of peripheral devices (mouse, keyboard, touch screen). Extenders support 4K image in real time. The signal can be sent even over a distance of 160 km, without delay or loss of quality.

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Marshall 30x IP Camera

Marshall 30x IP Camera CV420-30X-IP utilizes a professional 8.5MP sensor to capture brilliant 4K (UHD) with true colors up to 3840x2160p at 60fps with support for all HD formats.

The 30X optical zoom block offers a flexible zoom range of 4.6 to 135mm starting at 68° through 3° horizontal angle-of-view for maintaining image crispness in both wide and tight shots.

Exceptional low-light sensitivity ensures the CV420-30X-IP will maintain a clear picture in variable lighting conditions for live events, houses of worship, indoor/outdoor sporting events, and other dynamic lighting environments.

Ideal for use in networked A/V installations, the CV420-30X-IP offers the convenience of triple-stream (H.264/H.265/MJPEG) and HDMI outputs with audio embedding.

Marshall’s straight forward design and ease of use make this camera a valuable tool in a wide variety of broadcast and professional A/V applications.

  • 8.5 Megapixel (1/2.5″) 4K (UHD) sensor
  • 30X Optical Zoom (4.6~135mm) – 68° AOV
  • Up to 3840×2160, 1920×1080, and 1280x720p
  • Frame-rates: 59.94/50/29.97/25fps
  • Triple-stream IP (H.265/H.264/MJPEG) and HDMI 2.0 outputs
  • Ethernet I/O supports video, control, and PoE over a single cable
  • RS232 and 3.5mm audio input with passthrough
  • Visca over IP, Onvif, SRT compliant

Marshall 30x IP Camera CV420-30X-IP Applications:

Marshall 30x IP Camera is suitable for use in networked HD and 4K (UHD) workflows where image quality and versatility are of utmost concern, including live broadcast productions, courtroom capture, corporate video, government assembly, sportscast, newscast, reality television, concerts, house of worship and many more.

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VENICE Extension System

The VENICE Extension System (CBK-3610XS) enables cabled separation of the VENICE camera body and image sensor block by up to 5.5m with no degradation in image quality.

The kit consists of a front panel cover, image sensor block case and a 2.7m (9 ft) cable with an additional 2.7m (9 ft) extension cable. (VENICE camera is not included.)

The Extension System also has an HD-SDI output and a 24V output for powering accessories such as lens servo motors and monitoring.

Multiple screw holes on all surfaces make it easy to affix additional accessories and fit with a wide variety of rigs. The Extension System is fully compatible with all existing and future VENICE cameras upgraded to V3 or higher firmware.

VENICE Extension System: enhanced mobility and maneuverability

Separation of the camera body and image sensor block by up to 5.5m enables exceptional flexibility when filming with gimbals, handheld, in helicopter/underwater housings, with custom rigs such as for 3D/VR contents and shooting scenes in confined spaces such as vehicles. The separated image block is just 1.9 kg (4lb) with PL mount and 1.4kg (3lb) with E-mount for the utmost shooting flexibility.

Uncompromised image quality

When shooting with CBK-3610XS there’s no degradation in image quality. Whether shooting with a standard 2.7m separation or using the extension cable for a maximum 5.5m separation, you can be sure the image quality is the same as shooting with VENICE in standard configuration.

Advanced Features

CBK-3610XS preserves full use of the advanced features VENICE offers such as its built-in 8-step glass ND filter system, Dual Base ISO and more.

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Sony Venice 6K Camera

Sony Venice 6K camera features an all-new Full-Frame sensor with the classic 36 x 24mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.

Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:

Full width 36 mm 6K

In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9 and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra shallow depth of field, super-wide shooting and other creative effects.

Super35 anamorphic 4K

For super wide screen productions, VENICE offers two full height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes respectively.

Explore how VENICE can meet your production requirements with the firmware and licensing requirements in the aspect ratio chart:

Sony Venice 6K camera: Fast shutter

VENICE’s high speed readout sensor minimises the jello effect typical in CMOS sensors.

Phenomenal latitude

Sony VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.

More colours for more expression

VENICE can exceed Rec. 2020 colour space. This means the colour range is wider than DCI-P3 and can beautifully reproduce the true colour of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third-generation LOG gamma encoding (S-Log3), and ultra-wide colour space.

Sony Venice 6K camera: Dual Base ISO

Sony Venice 6K camera has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISO’s while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.

PL lens mount

Sony Venice 6K camera comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.

Lever lock type E-mount*

Choose from the growing eco-system of E-mount lenses and, via third party adaptors, the world of SLR and rangefinder lenses. Lever lock operation provides added security with large lenses and in most cases lens support rigs don’t need to be removed when changing lens. Switching from PL Mount to E-mount is can be done by simply removing six hex screws while E-mount lens iris operation is controllable via assignable button.

Anamorphic look

VENICE’s support for 2x squeeze anamorphic lenses, combined with its ability to shoot 4:3 and 6:5 aspect ratios at a horizontal resolution of 4K, allows the capture of breathtakingly beautiful images with stunning lens flare, bokeh and emotional impact for both 2.4:1 and 2.66:1 widescreen cinema releases.

Sony Venice 6K camera: 6K high resolution*

The stunning full 6K resolution of the camera can be recorded directly in X-OCN (16 bit eXtended tonal range Original Camera Negative) file format. Also, XAVC 4K can be captured onto SxS cards while still sampling from the full 6K resolution of the sensor.

*Firmware update required.

Select FPS

The Select FPS function lets you choose frame rates from 1 frame per second to as high as 60 fps, depending on imager mode. Firmware Version 2.0 supports Select FPS for all the available imager modes, while Version 3.0 enables Select FPS for the two additional imager modes noted in the firmware timeline.

Engineered to survive

VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.

Easily configurable

Sony Venice 6K camera has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.

World’s first 8-step mechanical ND Filters*

VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.

*Based on Sony market research.

Intuitive on-set operation

VENICE has a surprisingly compact design which allows easier shooting in confined spaces or on drones. Control buttons are carefully positioned for intuitive operation and even illuminate for easy use on dark sets. There are control displays on both sides of the camera, with the main display positioned on the camera outside for fast access to settings by the camera assistant while shooting. The camera operator’s OLED mini display allows intuitive control of commonly accessed features, on-set monitoring operation benefits from an extra HD output alongside the standard 12G-SDI (capable of 4K content on a single BNC cable).

The control interface is an all-new design based on extensive researches with camera operators.

Sony Venice 6K camera: General

Power RequirementsDC12V (11~17.0V)
DC24V (22~32.0V)
Operating Temperature0 ~ 40℃
Storage Temperature-20℃〜60℃
MassApprox. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories)
Dimensions133 x 159 x 172 mm (without protrusion)

Camera

Imaging DeviceFull-Frame CMOS
Imaging Device Pixel Count24.7M (total), 24.4M (effective)
Imaging Device Size36.2×24.1mm. 43.5mm (diagonal).
Built-In ND FiltersClear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)
ISO SensitivityISO500
Lens MountPL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor)
Latitude15+ Stop
Select FPS*Imager mode:
3.8K 16:9, 4K 17.9: 1-60FPS
4K 4:3: 1-48FPS
4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
6K 3:2: 1-24FPS
White Balance2000~15000Kelvin and Green/Magenta adjust, AWB*
Gamma CurveS-Log3

Recording

Recording Format (Video)XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
Recording Format (RAW/X-OCN) *required AXS-R7RAW SQ:
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
X-OCN ST/LT:
6K 3:2(6048 x 4032)*: 23.98p, 24p,
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p
4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p*
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (Audio)LPCM 4ch , 24-bit 48-kHz

Inputs/Outputs

DC InputXLR-type 4pin (male)
Battery DC InputSquare-shaped 5pin connector
DC Output12V: Hirose 4pin x1
24V: Fischer 3pin x2
SDI OutputBNC×4, (12G, 3G, 1.5G-SDI)
HD MONI OutputBNCx1 (1.5G-SDI)
HDMI OutputType A ×1
VFLEMO 26pin
Audio InputXLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)
Timecode InputBNC x1
Genlock InputBNC x1
AUXLEMO 5pin (female) x1 (Timecode Output)
Remote*8pin x1
Lens*12pin x1
Lens Mount Hot Shoe4pin x2, conforming to Cooke /i Intelligent Electronic Lens System
Network*RJ-45 type x1, 10BASE-T, 100BASE-TX
USB*USB host, type-A x1
Headphone OutputStereo mini jack x1
Speaker OutputMonaural
Media typeExpressCard/34 slot×2
SD card slot ×1
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