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Gimbal Steadimate-S

Gimbal Steadimate-S converts a handheld motorized gimbal into a full body-worn stabilizer system by attaching a mechanical gimbal collar/yoke and weighted base to the post of the gimbal. This allows a spring arm and vest to connect and assist the stabilizer, greatly improving the overall functionality and reducing operator fatigue.

Gimbal Steadimate-S converts a handheld motorized gimbal into a full body-worn stabilizer system

Comfort for long shots

The Steadicam arm reduces vertical bounce by providing z-axis stabilization, while the Steadicam vest provides operator comfort for long shots and long days by comfortably transferring all the weight across your torso and hips.  
 
Add creativity to your work by smoothly pushing the camera all the way to the ground and back up with “Low Mode” capability. Increase panning finesse by performing smooth manual panning.

The Steadicam arm reduces vertical  bounce

Steadimate-S is available as a kit

The Steadimate-S is available as a kit paired with either the Steadicam A-15 stabilizer arm (15lbs/6.8kg support) and Steadicam Aero vest, or the Steadicam A-30 stabilizer arm (30lbs./13.6kg support) and Zephyr vest for larger camera packages. The mechanical gimbal collar/yoke and weighted base are also available separately for use with existing 1/2” post stabilizer systems.

The Steadimate-S is available as a kit
  • Affordably converts handheld motorized gimbals into body worn stabilizers
  • Stabilizer arm greatly reduces the common bouncing image effect on the z-axis while walking with handheld gimbals
  • Execute more natural-looking manual camera pan movements
  • Wide vertical range of motion, including “low mode”
  • Greatly reduce operator fatigue and increase operating time by translating system weight to the across torso and hips through spring arm and vest
Greatly reduce operator fatigue and  increase operating time

Gimbal Steadimate-S includes:  

  • Steadimate-S Gimbal
  • Base Bracket
  • Balance Stud
  • Clamp Rings & Screws
  • 1/4-20 Tripod Adapter
  • 3mm Allen Key
  • 3/8-16 Anti-Rotation Screws
  • 2 Weight Rods
  • 2 Clamp Adapters
  • 4 x 1/4 lb (0.11kg) balance weights
  • 6 x 1/2 lb (0.22kg) balance weights
  • Instructions
The Steadicam arm reduces vertical bounce by providing z-axis stabilization
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The First 8K OB VAN

The first in the world, the most technologically advanced 8K OB VAN transmission car was created in China.

The first in the world, the most technologically advanced 8K OB VAN

Twelve 8K SONY cameras in the 8K VAN

The first 8K OB VAN transmission car is equipped with twelve 8K SONY UHC-8300 cameras and SONY servers, as well as with twelve 27-inch 4K 12G-SDI Konvision KUM-2710D monitors and several 17-inch KVM-1760D monitors also from Konvision.

Transmission 8K OB VAN is equipped with twelve 8K SONY UHC-8300 cameras

Amazing resolution in the 8K OB VAN

The transmitted image has an amazing resolution of 8K (7680 x 4320), so it offers 4 times more pixels than the already popular 4K (3840 x 2160) and 16 times more than the market standard Full HD (1920 x 1080).

The transmitted image has an amazing resolution of 8K

One hundred times faster

The 5G network used is a new generation mobile Internet connection, offering much higher data transmission speed, which is one hundred times faster than 4G, has lower delays and a wider range. By the way, the 5G network offers reliable technological support for the UHD TV application.

The first 8K video signal transmission took place between Beijing and Shanghai.

The 5G network in 8K OB VAN is a new generation mobile Internet connection, offering  one hundred times faster than 4G

Shenzhen Konvision Technology Co., Ltd. is a Hi-Tech enterprise specializing in developing, manufacturing and selling professional broadcasting video equipments. The R&D center has almost 10-years rich experience in professional video fields.

Since established, with its R&D concept ‘‘professionalism and innovation-oriented”, Konvision has been devoted to broadcast monitors as its core product, concentrating efforts on image quality and color reproduction. With industry-leading video processing technology and precise color reproduction, Konvision broadcast monitors continuously win the high praise from professional users of broadcast industry home and abroad.

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DVD 5480 module 8K

The DVD 5480 HO module is a high performance 12G SDI distribution amplifier with 12G Single Link <> Quad Link (2SI) conversion on optical and electrical interfaces. This module can be used in various applications depending on user settings:

This module can be used in various  applications

1. 12G SDI Distribution amplifier
2. 12G SDI Single Link to Quad Link (2SI) converter (Demux)
3. Quad Link (2SI) to 12G SDI Single Link Converter (Mux)
4. 8K SDI <> Fiber converter

Four 12G SDI optical inputs and four 12G SDI optical outputs

DVD 5840 HO is ideally suited for demanding high quality broadcast and professional video applications. The module provides four 12G SDI optical inputs and four 12G SDI optical outputs in four pairs of optical TR slots (Transmitter/Receiver, SFPs optional). In addition, four bi-directional electrical inputs/outputs (signal flow direction can be set by the user) on High Density MicroBNCs are available for optical<>electrical conversion.

DVD 5840 HO is ideally suited for demanding high quality broadcast  and professional video applications

Ideal for TV applications

DVD 5480 HO is part of the 5000 series of CardModules, which offers high quality, modularity and flexibility in a small form factor ideal for applications where space is at a premium. Like other 5000 series CardModules, this module is fully integrated into LYNX APPolo Control system which provides remote control, status monitoring and error reporting for the module.

DVD 5480 HO offers  high quality, modularity and flexibility

Features

  • Supports four 12Gbit/s SDI Optical inputs and outputs each.
  • Provides four bidirectional, electrical inputs/outputs on the high density MicroBNCs
  • Different operation modes:
    • 12G SDI single Link Input signal can be demultiplexed to quad link (2SI; 4x3G SDI)
    • Quad Link (2SI) signal can be multiplexed to 12G SDI Single Link
    • 12G SDI optical signal can be distributed to four optical outputs and four electrical outputs
    • Mixtures between the different operation modes
  • Input presence detection with LED indication
  • Microprocessor controlled with internal flash RAM for storing configuration
  • Remote control, status monitoring and error reporting when used with Lynx APPolo Control system
  • Hot swappable
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Sony PXW-FX9 camera 6K

The first Sony PXW-FX9 camera 6K with Fast Hybrid AF, Dual Base ISO and S-Cinetone colour science. The camera’s full-frame 6K sensor provides superb recording in DCI 4K, Ultra HD and HD resolutions.

The first Sony’s full-frame 6K sensor camera

Exmor R technology Sony PXW-FX9

Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

Exmor R technology for improved sensitivity and noise reduction

15+ stops dynamic range

Sony PXW-FX9 camera 6K offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.

15+ stops of dynamic range allowing for unprecedented colour grading and post

Dual Base ISO for stunning images in any light in Sony PXW-FX9

FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.

Dual Base ISO with the ND Filter provides superb creative control

Cinematic colour science with S-Cinetone™

S-Cinetone is the default look of Sony PXW-FX9 camera 6K that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.

S-Cinetone means that straight out of the camera your content looks fresh and  vivid

Selectable frame rates

Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximises full HD slow motion image quality with advanced oversampling technology.

Choose  your desired frame-rate from 1fps up to 180fps

Customisable AF settings

Sony PXW-FX9 camera 6K comprehensive autofocus settings provide the creative flexibility to integrate with any project.

7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.

Advanced E-mount lever lock  operation allows quick

Autofocus with all E-mount lenses

Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.

adjust filter density manually in smooth increments from 1/4 to 1/128  as you shoot

Electronic variable ND filter for full-frame sensor

Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.

*As of September 2019

FX9 adapts  effortlessly to your physique and preferred shooting style

Proven ergonomics & accessory compatibility

Sony PXW-FX9 camera 6K chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*

The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted.

The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.

* BP-U30 and XDCA-FS7 are not compatible with the FX9.

16-bit  RAW offers a phenomenal increase in post-production creative freedom

16-bit RAW capability*

16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**

*RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle.

**Compatible recorders to be announced

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